Modes
December 15, 2009
| Dorian Mode | This is the most widely used mode You can play it by starting on D (the white key between the two black keys) and play just the white keys to the next D. This mode is easy to remember: Dorian begins with D and the scale stars on D. You’ll never forget this mode. It is like a major scale with a flat 3rd and a flat 7th note. |
| Phrygian Mode | This mode begins on E. Play all the white key up to the next E. It has a very sad sound and is heard in lots of Spanish, Hebrew, and Gypsy music. It is the only mode that begins with a half-step. Composers use this mode when they want their music to sound Oriental. It is like a major scale with 2 – 3 – 6 – 7 played flat. |
| Lydian Mode | This mode sounds almost the same as the major scale. It has an odd-sounding 4th note. Start on F and play all the white keys up to the nextF. It is a major scale with a sharp 4. |
| Mixolydian Mode | This has a long name, but is simple to play. Start on G and play all the white keys up to the next G. This also sounds like the major scale, but it has a strange-sounding 7th tone. It’s used a lot in rock and roll and jazz music. It is a major scale with a flat 7th note. |
| Aeolian Mode | Just like its name, this mode begins on A. Start on A and play all the white keys up to the next A. This is also called the natural minor scale. It is a major scale with a flat 3 – 6 – 7. |
| Locrian Mode | This mode sounds so strange it is almost never used. It begins and ends on B. You can forget this one. It is a major scale with a flat 2 – 3 – 5 – 6 – 7. |
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